s1. Juan Miro : ‘Catalan Landscape (The Hunter)

1A – THE PLAYER : TRUTH IS IN THE EYE OF THE BEHOLDER SUBJECTIVITY
s02.Van Eyck: The Madonna of the chancellor Rolin 1453

s03.P. Cezanne: Self-portrait 1885-87
s04.Bathers 1906
s05.R. Magritte: False mirror 1928
s06.P. Picasso: Demoiselles d Avignon 1905
s07.D.Velasquez: Las Meninas 1656

1B – THE SPECTATOR OBJECTIVE RULES

s08. K.Malevich: Suprematist composition:Airplane Flying 1915

2 – THE PLAYGROUND THE GROUND THE FOUNDATION
s09. A.Gursky, Arena, Amsterdam I
s10. H.Matisse: The red studio1911
s11. K.Malevich:Black square c.1923

s12. J.Pollock:One 1950
s13. A.Kiefer::The rose gives honey for the bees,1996
s14. S. Dali F. Leger S.Lewty J. Koshut

3 – BEWILDERMENT

s15. J. Beuys: Νymphe 1956
s16. P.Klee: Castle Garden,1931
s17. A.Giacometti:Wheel
s18. P. Mondrian Composition 5, 1914

4 – FROM PROXIMITY TO DISTANCE

s19. P. Gauguin: Faa Inheihe 1989

s20. Van Gogh: Wheat field with crows

4A – FROM PRESENCE TO ABSENCE

4B – FROM CONCENTRATION TO EXPANSION

s21,s22 S. Neshat

5 – DIS-PLACEMENTS

s23. Salvator Dalí : telephone lobster, 1936
s24. MarcelDuchamp: fountain ,1919

5A – PRECIOUS AND UNCANNY

s25. Damien Hirst: For the love of God, 2007
s26. Gabriel Orozco: Black kites, 1997

6 – MEMORY AND FRAGMENTALITY

6B – BEYOND FORM AND SPACE
One and many

s27. Vick Muniz : A Bar at the Folies- Bergère, after Edouard Manet,012

s28. Vick Muniz : Monica Vitti, 2004

7 – AS IT IS

7A – IN BETWEEN SPACE
Horizon The border line. The trace.

s29. V. Van Gogh: Staring night 1989

s30. V. Van Gogh: Almonds 1890